By Staff Writer (media@latinospost.com) | First Posted: Nov 16, 2015 10:25 AM EST

How indeed do you get away with a crime such as murder? This may be answered in the next episode in the second season of the TV series, as it reportedly will reveal who shot Annalise Keating.

"Viewers saw Annalise Keating (Viola Davis) got shot at the start of the second season of the show, and many were left wondering who did it," Christian Post noted. "Fans will finally get to solve that mystery since Annalise's shooter will be revealed in the next episode of the show."

Many viewers have been wondering who among her students shot Annalise - Wes Gibbins (Alfred Enoch), Laurel Castillo (Karla Souza), Connor Walsh (Jack Falahee), Michaela Pratt (Aja Naomi King), and Asher Millstone (Matt McGorry).

Some have also wondered whether the culprit is one of her partners.

However, there have been speculations that the shooter may either be Catherine, played by Amy Okuda, or Philip (Jefferson White), as they were seen together at the conclusion of the last episode.

Who do you think shot Annalise?

In an interview with TV Line, the series showrunner, Pete Nowalk, revealed the process in creating the second season, saying that it all started with a scene - that of Annalise bleeding in the ansion - and the details were worked out later as the show progresses.

"You only have to write one scene for the premiere, and I was like, 'We can just change it later!"'And then finally we shot it, and I said, 'We sort of have to figure out what we're doing!'" he said. "Even yesterday, [the writers] discovered something we didn't know about that night."

With that considered, it can be said that the series started out without a clear culprit plotted out. Which may make asking the producers for hints early on a futile task, considering the fly-by-the-seat-of-your-pants approach to making the series.

However, some viewers may not be appreciative of this approach, as Zap2It's Megan Vick observed.

"Shows that make you come back for more to get the answers make for good television, but 'How to Get Away with Murder' is throwing so many curve balls it is almost impossible to catch up," Vick said. "Big reveals lose their meaning when you have no context for why they are big reveals."

"Is it good television or too much when you have to watch the last five minutes 10 times to figure out what just occurred?" the writer asked.

What's your answer to this question? Let us know!

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