Miley, Miley, Miley. Ever since the young pop star broke into her new skin with her “We Can’t Stop” music video, she’s been the center of worldwide scrutiny. How could such the innocent and lovely Disney star Hannah Montana evolve into such a rebellious young woman? However, that’s not necessarily the case. She’s 20 years old. She’s growing into her womanhood as a rising star plugged into the celebrity life. As most women her age, she’s exploring a new alternative outlook on life. Unfortunately, she’s an idol. The limelight shines bright on every move she makes. But her diligence prevails. She continues to defy critics, build her brand and make money. So in the end, is it stupidity or pure genius?
Her most recent music video, “Wrecking Ball,” which she released Monday, has already earned more than 18 million views. Although the song’s central theme doesn’t promote or suggest drug use and all night parties, Cyrus makes a point to assert her new self, as if her “We Can’t Stop” video and VMA performance weren’t enough.
In “Wrecking Ball,” Cyrus is seen licking a sledgehammer, in slow motion of course, straddling a giant ball while licking its chain. Sorry sledgehammer. She then proceeds to take off all her clothes as the song progresses and climaxes behind her scorching melodies and heartfelt cries. Her voice on “Wrecking Ball” reminds fans of her raw talent, and her nude tears in the video accentuate her vulnerability. In short, the video draws from the song and extends its emotional angst to produce a powerful and alluring video. If you can look past her Hannah Montana mold and see the young edgy artist that she truly is, you will see its beauty.
Hannah Montana is gone. The Cyrus criticism is no longer pertinent. She’s a new person. View her new persona as a completely different entity and the issues will fade. She is who she is. Embrace it. The fight’s over. She won.
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